· Aaron and Ahmed by Jay Cantor James Romberger (Vertigo, ). The PR line for Aaron and Ahmed, repeated in all its blurbs, is, “What causes terrorism?”It’s the starting point for the story written by Jay Cantor and drawn by James Romberger; the point-of-view character, Aaron Goodman, loses his wife in the terrorist attacks of 9/ Aaron and Ahmed Jay Cantor, James Romberger (Illustrator) This graphic novel follows Dr. Aaron Goodman after 9/ "I had to be a part of that war." This leads him to Gitmo, and later, to Ahmed. Aaron's quest to understand takes them to Pakistan, then NYC, and beyond.3/5. · Aaron Ahmed by Jay Cantor, James Romberger, Jose Villarrubia. Click here for the lowest price! Hardcover, ,
In , "Aaron and Ahmed," a collaboration with MacArthur Prize fellow Jay Cantor, was released by Vertigo/DC Comics. Romberger is also a critic and writer for Publishers Weekly, The Beat and the comics blog the Hooded Utilitarian. [citation needed] References. In Romberger collaborated with Jay Cantor on the graphic novel Aaron and Ahmed published by Vertigo DC Comics. Van Cook has worked as a musician (once opening for the Clash), a rock journalist, and was the executive director of the Howl! Festival. Her paintings have been exhibited extensively in both New York and London and her limited. Aaron and Ahmed a love story by Jay Cantor. 0 Ratings 0 Want to read; 0 Currently reading; 0 Have read; This edition was published in by DC Comics/Vertigo in New York. Written in English. This edition doesn't have a description yet. Can you add one? Subjects Terrorism, War.
Aaron Ahmed by Jay Cantor, James Romberger and a great selection of related books, art and collectibles available now at www.doorway.ru Aaron Ahmed by Jay Cantor, James Romberger, Jose Villarrubia. Click here for the lowest price! Hardcover, , The first shock of Jay Cantor’s and James Romberger’scomic book Aaron and Ahmed—onecould say graphic novel, but the about-the-author sketch of Cantor ripping openhis shirt to reveal a Superman costume makes comic book the way to go—is seeingthe planes fly into the towers. Across four appalling pages everything happens,both at once and in stop-time, here too fast for the eye or the mind to followor for memory to enclose, there too frozen, almost, to allow the viewer toreturn to the.
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